works
distURBANces
Begin: 30.10.2012
End: 05.01.2013
curated by: Gunda Achleitner and Berthold Ecker
Opening: Mon | 29. October 2012 | 7 pm
MUSA Museum Start Gallery Artothek
Felderstraße 6-8, 1010 ViennaWith works by:
Peter Bialobrzeski, Justine Blau, Thibault Brunet, collectif_fact, Frédéric Delangle, Cédric Delsaux, diSTRUKTURA, Aldo Giannotti, Niklas Goldbach, Dionisio Gonzalez, Ilkka Halso, Robert F. Hammerstiel, Paul Horn & Lotte Lyon, Leopold Kessler, Daniel Leidenfrost, Josh Müller, Reiner Riedler, Semiconductor
More information: www.eyes-on.at, www.emop-mutations.netObjected Tables
Aldo Giannotti, Markus Hofer, Roman Pfeffer
Die Ausstellung "Objected Tables" vereint drei Videos der Künstler Aldo Giannotti, Markus Hofer und Roman Pfeffer, wobei jeweils jeder mit jedem ein Video realisiert hat. Markus Hofer drehte mit Aldo Giannotti "Coffee Bolognese" (2008), Aldo Giannotti mit Roman Pfeffer "Last Supper" (2010) und Roman Pfeffer mit Markus Hofer "The Restricted Conference" (2011).
Jedes Video beinhaltet einen Tisch als zentrales Motiv, ein in unserer alltäglichen Realität sehr wichtiges und bedeutungsvolles Möbel. Das Befragen der Anwendungen und Ausformungen dieses Objekts und seiner gesellschaftlichen Bedingungen wird mittels des Mediums Video zum bestimmenden Thema der Ausstellung.Die Videos sind von 28.9. bis 21.10.2012 jeweils von Dienstag bis Sonntag von 10.00 bis 18.00 Uhr zu sehen. Der Eintritt ist frei!
Hofmobiliendepot – Möbel Museum Wien
Andreasgasse 7, 1070 Wien
Tel.: 524 33 57
Mail: info@hofmobiliendepot.atBetween Form and Movements
Can Altay, Kevin van Braak, Aldo Giannotti, Shaun Gladwell, Maurizio Mochetti
Bologna
from: 22 september 2012 to: 12 january 2013Artists: Can Altay, Kevin van Braak, Aldo Giannotti, Shaun Gladwell, Maurizio Mochetti
Curated by Emanuele Guidi
Opening Saturday 22th September, 7 pm
from 23rd September 2012 to 12th January 2013Between Form and Movement is the title of a collective exhibition that present the work of international artists who investigate the production of space – in its social, political as well as architectural connotations - in order to explore its performative potential.
Specifically conceived or re-invented for this project, the artworks define space – be it a building or a portion of it, a monument, a fictional architectural element or an entire city – through the tensions emerging between the powers that plan it and the social relationship who inhabit it.
The body – of the performer, spectator or dweller – is understood in direct relationship with the constructed space as a cultural and political expression, through which “ideologies†carry their message.
The affordances – those formal features of an object or an environment which suggest a use, an action or more generally a movement – become, in the artist’s practice, a tool to reveal the mechanisms that govern a given space and “in-form†the behavior of those who moves in it.
At the same time, forms of appropriation and “para-functions†that emerge beyond the original plan or purpose turn into an expedient to then act on the experience of place and engender a critique of the space itself as “institution.â€
Moving along the line of this negotiation, the artists research and combine the rules of spatial relationships, the economies and history of certain places, in order to pose questions about the future and destiny of architecture, of public space and of the different ideological visions that, each time, inspire its planning.more info : www.galleriaastuni.it
the stationary point in the evolution of a system I
installative performance
plywood 300x150 cm
/framed drawings on cardboard 100cm x 70cm
styrodur sculpture 120 x 70x 60
2012photo: Gianmaria Gava