works
Über Gänge, Exkursionen in eine vorgestellte Stadt
Über Gänge
Exkursionen in eine vorgestellte Stadt
9. Mai 2014 um 18 Uhr
Elisa Andessner, Magdalena Anikar, Sarah Bildstein, Aldo Giannotti, Noah Holtwiesche, IEFS Kiesling & Stolberg, Renate Kordon, Adam McCartney, Nicole Pruckermayr, Johanna Rolshoven, Andrea Seidling, Sebastian Scholz, Gregor Schlatte, Helene Thümmel, Max Weichert, Justin Winkler.
“Der Raum, in dem wir leben und der uns anzieht, so dass wir aus uns selbst heraustreten, der Raum, in dem die eigentliche Erosion unseres Lebens, unserer Zeit und unserer Geschichte stattfindet, dieser Raum, der uns zerfrisst und auswäscht, ist seinerseits heterogen. Anders gesagt, wir leben nicht in einer Leere, die wir mit Menschen und Dingen füllen könnten. Wir leben nicht in einer Leere, die verschiedene Farben annähme. Wir leben vielmehr innerhalb einer Menge von Relationen, die Orte definieren, welche sich nicht aufeinander reduzieren und einander absolut nicht überlagern lassenâ€. aus: Michel Foucault, Von anderen Räumen
Eröffnungswochenende
Sa, 10. Mai 11.00–19.00 Uhr und So, 11. Mai, 11.00–17.00 Uhr.
Öffnungszeiten: Di–Fr, 14.00–19.00 Uhr und nach Vereinbarung. Zu sehen bis 4.Juli 2014.Temporary wealth index
Temporary wealth index is an ongoing lecture performance connected to the discussion of shifting, movement and value. At a given moment the participating public is invited to rearrange there position according to the amount of money they have in that specific moment, from the wealthiest to the poorest.
a disturbance that travels trough space and time
Votivkino , Wien 2014
The work A Disturbance That Travels Through Space And Time is an ongoing performance based on delivering instructions at venues where big gathering of people are expected (cinemas, theaters,ecc). The instructions invite to create human waves of different petterns as a reference to the idea of collective, mass movement, and how to convert a common will by the use of the own body.
What happens to the idea of choreography when carried over into the realm of everyday-life? What is a collective body and how does it move? What kind of temporary community is embodied by the audience? How can the political and social dimension, implicit in the concept of collectivity, be translated and practiced in an artistic form? A disturbance that travels trough space and time deals with such question redefining in a given space the lines between active participation and neutral stance , individuality and and collectivity, movement and still.
 also see: http://www.aldogiannotti.com/?p=941
Guarda dove vai
JANIS AVOTINS, FRANZ BAUMGARDNER, LUIGI CARBONI, MILENA DRAGICEVIC, THOMAS FLORSHUEZ, ALDO GIANNOTTI IZUMI KATO, CRISTIANO MANGIONE, PAOLO PARISI, STEFANO W. PASQUINI, LUCA POZZI, DAVID SHAW, MIKE SILVA,THOMAS ZIPP
Galleria Enrico Astuni, Bologna
dal 08.05.2014 al 08.06.2014A cura di: Galleria Enrico Astuni
DANCE WITH US
 Dance With Us
Ein Ausstellungsprojekt von Kamen Stoyanov
Aldo Giannotti
Michail Michailov
Nicolas Muller
Nicole Prutsch
Emilia Smokova
Kamen Stoyanov
Iv ToshainAusstellungseröffnung: 06.05.2014, 19:00 Uhr
Ausstellungsdauer – 27.05.2014projektraum viktor bucher
a 1020 vienna, praterstrasse 13/1/2
t/f +43 (0) 1 212 693 0
m +43 (0) 676 561 988 0
projektraum@sil.at
www.projektraum.atThe title of this exhibition-project suggests the invitation to a common dancing. The question which arouses is: are the artists invited to the Gallery´s dance floor or is the audience invited to dance with the Art? And: what is such a dance able to achieve?
Inspired was the title of the exhibition by the Bulgarian #ДÐÐСwithme- antigovernment protest – movement, which started on June 14, 2013 until now. Dance With Us origins in the acoustic overlapping of the short-phrase for “Governmental Service for National Security†– ДÐÐС - and the english expression for „dancing“. What caused the so called „protest movement“ was the controversal election of an even more controversal minister for National Security. From the first day on „common dancing“ was the gesture for a positive alteration of the status-quo. „The Dance“ still is going on and in its persistance origins its power and elegance and even its utopic character. This exhibition is also about corruption and nepotism. Cause: Only together we can set examples and change things.
The list of artists was based on the principle: every invited elected another one...Kamen Stoyanov